A journey through immobility, through the skin, which the spectators traverse with their eyes, through their fantasies and myths of the representation of our interior anatomy. A mirror of their own body to invent, and to imagine. A performance without visible drama. Without narration. Without abstraction. The nude man is placed as a mirror. Raw simplicity. Immobile sculpture. A non-bloody skinning of the body. Hallucinations of ones own body and biological realities are mixed up, constantly confusing madness and concreteness, never knowing which is the madest of the two.
A choreography between a dance of blue secretions and a dance of blue organs. The blue, a colour, which in history has been sometimes commonplace and sometimes rich, is used here to deviate from the idea of the red blood linked to man. It gives another relationship between body and colour.
Distribution:
Concept et interprétation: Yann Marussich
Collaboration artistique et lumière: Daniel Demont
Bande son et régie son: Yann Gioria
Régie lumière: Florian Bach
Réalisation vidéo: Ulrich Fischer
Décor: Grand Garage du Nord, Cédric Bach, Martin Rautenstrauch, Daniel Demont
Photos: Isabelle Meister
Organisation et diffusion: Alessandra Simeoni
Production: Perceuse Productions
Durée 55 minutes
Special thanks to Doctor Sayegh, to Doctor Schneider, to Professeur Terrier, to Doctor Aguilar, to Eliane Beytrison, to Jean-Marc Bobilier, toDominique Richard, to David Guéniot, to Joao Fiadeiro, to Thierry Spicher, to Claude Ratzé, to Karine and Florence, and the ones I have forgotten, and to my team.
Spectacle en coproduction avec la Bâtie-Festival de Genève, l´Arsenic de Lausanne, le Théâtre de l´Usine, Festival infinito Ltd et Perceuse Productions, avec l´aide financière de la Ville de Genève et de la Loterie Romande.
Ce spectacle est dédié à Sandra Minotti.
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